Wednesday, July 29, 2015

WHIZ-BANG WUNBURRA WORLD HERITAGE WORLD CLASS VISITOR CENTRE?


The headline in the Gold Coast Bulletin declared: City leaders banking on tourist info centre to boost Gold Coast Hinterland visitor numbers: see report below.



Why is a ‘tourist information centre’ at Wunburra Lookout on Springbrook going to ‘boost numbers in the Hinterland’? Will it be the ‘plush toys, arts and craft and local foods’ that will draw the crowds in? Why would the national park, the World Heritage-listed National Park, not be the drawcard, itself a sufficient attraction? Is the aim merely to get tourists to visit and spend their money on some trinket, toy, or an arty craft piece while enjoying a snack or a meal on a day out; or is it to promote World Heritage values? Gosh, the visitors would not have to travel any further along the plateau than the end of the one-way track at Wunburra to enjoy these attractive ‘whiz-bang’ facilities! The aim seems to be to flippantly and compliantly cater for the classic tourist who has no interest in anything but entertainment, games and unusual distractions: see - http://springbrooklocale.blogspot.com.au/2012/06/who-or-what-is-tourist.html


The prediction that an information centre ‘would inject $34.8 million into the local economy’ seems ambitious. $34.8 million is a lot of money: but what time scale is this prediction based on? Is it one year or one hundred years? The statistic looks like a red herring as it appears to be meaningless, merely a big, impressive number used in the same manner as the ‘Sydney Opera House’ is used to define the qualities of any proposed attraction that seeks some persuasive ‘iconic’ characteristic: see - http://springbrooklocale.blogspot.com.au/2015/07/gold-coasts-sydney-opera-house-eiffel.html and http://springbrooklocale.blogspot.com.au/2015/07/gold-coasts-sydney-opera-house-eiffel.html  Is the figure just something added to impress in order to promote the idea, to make it more agreeable?



How many more people does Springbrook need? How many more would this centre encourage to visit the region? If the $34.8 million is based on a period of one year, then, if every person spends $50.00 each visit on toys, craft or ‘local foods’ - what foods are local? . . . indeed, what crafts are local? – then an extra 1900 people a day, every day of the year, will have to visit the region.* This is a massive increase in numbers for a very fragmented area that is so environmentally sensitive. The question needs to be asked: what is the carrying capacity of Springbrook? What are the numbers of visitors that the World Heritage area can cope with and still maintain the integrity of its rich environmental diversity for which it is listed? Independent research needs to be undertaken in order to have this question answered. Guessing and hoping, or just ignoring the issue, are not good enough.


Strangely, the predicted dollars are big but the site is tiny. This proposed information centre that is ‘to boost’ the Gold Coast Hinterland is going to be developed in an area reported to be 323 square metres. What size is this building? How many vehicles are to be accommodated in this precinct that has such a restricted space, but is still expected to attract possibly 1900 extra visitors a day? Who knows what number is expected? If the dollar prediction were based on a period of ten years, there would be an extra 190 people a day, every day, spending $50 each. Ten cars – it seems to be a reasonable number -  take about 250 square metres plus general access space. One might guess that a bus parking space would be provided too, maybe two. So what area is left for a building? Or, to look at it another way, with a building providing what one might guess to be an adequate general display area, an information counter, a shop, a cafĂ© and amenities all as the report suggests, what space might be left for any vehicles to stop?



The figures look alarming dodgy, irrational. The prediction of millions of dollars coming in with an information centre that has no car parking, or with a car park serving only a miniscule information centre, appears strangely askew. Is this promotion all part of an ambitious dream promoted by a ‘snake oil’ salesman? Has anyone thought seriously about this place? The report carries images of Natural Bridge. While this natural rock arch is in a remote fragment of Springbrook National Park, it is not at Springbrook or anywhere near Wunburra. What is the aim for this information centre? What is the rationale? Is it merely political hype?


More than ever, the muddling confusion seems to point to the need for such a place to be located at Nerang, so that the World Heritage region can be promoted at a place away from the sensitivities of the World Heritage area, near the busy tourist highways in a place that can provide adequate areas for the information centre and its required parking: see – http://springbrooklocale.blogspot.com.au/2013/05/tourist-attractions.html




Is this proposal just an ad hoc ‘Council promo’ that gathers every clichĂ© seen at information centres around the world – ‘open seven days a week, provide free Wi-Fi, sell merchandise, food and drink and provide audiovisual and digital technology interaction’? What is the scale of this operation that is described like an arcade game and amusement centre? Why on earth would anyone want to encourage those interested in participating in these entertainments into World Heritage areas? Keep the tourist attractions and distractions on the Gold Coast tourist strip, near the much-loved tourist attractions of Dreamworld, Movie World, Wet’n’Wild and Sea World. Tourists adore convenience and ‘whiz-bang’ effects. One ticket could do all! Nerang is an ideal place as it is the location from which those truly interested in seeing and caring for World Heritage areas can access them, both on the Springbrook Plateau and at Natural Bridge in the Numinbah Valley. Nerang also fits in between, near all of the other tourist attractions that the Gold Coast is promoted for. World Heritage 'attractions' must never become a part of this list.


Are Councillors seeking to create monuments for their own glory? Why do ill-considered ideas like this arise? Why do silly, vague, endorsing reports like this get published? Governments do have an obligation to properly manage World Heritage regions. Promoting such apparently poorly thought out ideas as this Wunburra  ‘information centre’ will do little to enhance place or identity – or profit. Clear rigorous thinking and feeling is needed if World Heritage place is to be enriched. Jumping on the bandwagon of tourism delights in a World Heritage location is unlikely do anything for anyone, not even Councillors, especially so if the facts appear to make the whole vision look like a careless farce.


Oh, no! Surely not! Will this be a multistorey development? Cars below, entertainment levels above? Will this be Springbrook’s first escalator? Maybe a lift? Oh, no! One can see it already: a glass enclosed lift for tourists to enjoy the trees, as they would expect. No. World Heritage principles must always be the core of everything that might happen on Springbrook: not tourism.


The ambiguity in the report allows for many interpretations. The ‘$34.8 million into the local economy’ statement can mean anything. By way of example, the figures here interpret ‘local’ to mean Springbrook: but what is ‘local’? – see: http://voussoirs.blogspot.com.au/2013/03/what-is-local_12.html  The whole matter is vague, uncertain and indistinct, allowing any explanation to make sense – just as politicians like it.


REPORT


LIFESTYLE
City leaders banking on tourist info centre to boost Gold Coast Hinterland visitor numbers
ANDREW POTTS
GOLD COAST BULLETIN
JULY 27, 2015 10:51AM


 
     The Natural bridge, Springbrook National Park. Picture: JERAD WILLIAMS

City leaders are banking on a tourist information centre to be built at Springbrook in a bid to boost numbers to the Hinterland.

In the wake of the Skyride cable car plan being put on hold by its backers, the Gold Coast City Council is investigating building a $1.1 million centre. It is thought a permanent information centre, also selling plush toys, arts and craft and local foods, would inject $34.8 million into the local economy.

The centre is earmarked for a site at Wunburra Lookout covering about 323sq m.

Area councillor Glenn Tozer said an upgrade of nearby intersections would be needed if the facility was built at the lookout.

“The ratio of overseas visitors coming here is higher than the rest of the Coast and someone not from here is more interested in the Hinterland experience,” he said.

“So ... it is important we get this right but we want to work with the state to get the best location and make sure it is aligned with other facilities.”

Council documents to the Economic Development committee said the area needed a proper tourist facility.

“It must ... open seven days a week, provide free Wi-Fi, sell merchandise, food and drink and provide audiovisual and digital technology interaction.”

     Natural Bridge, Springbrook National Park. Picture: JERAD WILLIAMS


Monday, July 13, 2015

GOLD COAST’S SYDNEY OPERA HOUSE? EIFFEL TOWER? ANYTHING WORLD HERITAGE?



The Sunland $600 million proposal to develop Mariner’s Cove on The Spit at the Gold Coast in Queensland, Australia has been commented on previously – see: http://springbrooklocale.blogspot.com.au/2015/06/the-zaha-abedian-sunland-towers-gold.html  The scheme that now seems to be two high-rise residential towers with some gallery and museum areas below - what happened to the hotel: will it come later as part of a ‘wedge’ development? - has been promoted as ‘a cultural precinct to rival the Guggenheim Museum at Bilbao in Spain,’ the dramatic project designed by Frank O. Gehry that has stirred the world with its commercial success.




Now the latest report on the Mariner’s Cove development draws parallels to the Sydney Opera House and the Eiffel Tower: Soheil, he said ‘I am 66 years old and want to create something like the Sydney Opera House or Eiffel Tower’. Is this a way of trying to say that the scheme seeks to be ‘iconic,’ special in a unique way similar to other loved places? Is it a way of trying to get a high-rise development approved in an area that has a height restriction of three floors?


The report notes that: The developer . . . has launched a charm offensive to win over city councillors. That ‘charm’ is now apparently being used to get the scheme approved is a real concern. The intent is transparent:
Sunland bosses, led by executive chairman Soheil Abedian have begun meeting city leaders in a bid to secure the necessary votes to gain the project approval when it goes before the city planning committee in coming months.


Exactly what is happening? The Gold Coast already has a problem with approving ‘feel-good’ projects that it really knows so little about: see - http://springbrooklocale.blogspot.com.au/2014/11/approving-ghosts-grand-visions-and.html That this extreme project is being promoted in this ‘iconic’ manner is a problem. Surely the process is for the developer to place all of his information on the table and then let the scheme be assessed against the planning rules and regulations, with an understanding of its impacts in every detail. Feeling good about the potential of a ‘maybe’ Bilbao-Guggenhiem outcome; or perhaps a Sydney Opera House experience; or a possible Eiffel Tower draw card on the Gold Coast is not good enough. This is the stuff of pure fantasy: if only we had these, all three! Wow!! Why? The irony is that the Gold Coast seems unable to care for its current World Heritage listed region at Springbrook. Why should it try to emulate another? Both the Sydney Opera House and the Eiffel Tower have been listed as World Heritage sites. Springbrook, in the Gold Coast hinterland, has been listed as part of the Gondwana Rainforests of Australia: see - http://springbrooklocale.blogspot.com.au/2012/06/world-heritage.html  It would be strange if matters 'World Heritage' might convince Councillors that the development of The Spit in this manner was worthwhile.




But is this project really ‘something like the Sydney Opera House or Eiffel Tower’? The buildings are big, but what else is there? It has been argued that the scheme is nothing like the Guggenheim in Bilbao other than it apparently seeks to be different: see - http://springbrooklocale.blogspot.com.au/2015/06/the-zaha-abedian-sunland-towers-gold.html  Likewise it is no Sydney Opera House or Eiffel Tower, other than perhaps being ‘eye-catching.’ Both of these World Heritage projects engage with place in a structured manner, with buildings that have a civic intent. They are not commercial residential centres that accommodate ordinary, everyday comings and goings. They have earned their reputation over time because of their special characteristics that have to do with the rigour of ideas and their accomplishment. They have a special spirit, integrity and objective that are different to those of a commercial high-rise residential tower development. No additional ‘cultural’ component in the residential project’s plaza can create this World Heritage ambiance even though the words that describe the idea might suggest similarities.



Blues Point Tower

It would have made more sense to have likened the Mariner’s Cove project to Harry Seidler’s Blues Point Tower residential scheme in Sydney, but this development has had its critics and is not as universally acclaimed as the Sydney Opera House and the Eiffel Tower. The Seidler project has only a local heritage listing, so lacks the impressive emotional qualities of the World Heritage sites in Sydney and Paris.




Why are such analogies sought to promote what can be seen as a contentious project? It seems that the links might be trying to add some poignant richness to the development application; that these parallels might be an attempt to give some ‘charm,’ some exotic 'prestige' to the idea that could convince others that the project was highly desirable in spite of its not complying with the planning scheme. Councillors seem to have become involved in these ‘feel-good’ approvals before: see - http://springbrooklocale.blogspot.com.au/2015/03/befitting-our-suburbs-on-butterflies.html



If a city is to become anything, it should become itself. It can only achieve this quality outcome with quality decisions made on the basis of quality city plans, not whimsy. Without such a strategy, cities become just an ad hoc shambles of developers’ ambitions that seem to get approved in the vague haze of hope. We can already see the poor results of this system of development approvals. Why is it that we still accept the ‘charm offensive’ approach in such silence? It is truly offensive to have a city managed in such a manner. We need to explore and expose our own genius loci – our own spirit of place and its unique importance rather than try to build places to be ‘world class’ or even ‘World Heritage,’ whatever this might mean.



THE REPORT

NEWS

Fate of $600m Sunland project in the hands of councillors as backers launch charm offensive

ANDREW POTTS
GOLD COAST BULLETIN
JULY 14, 2015 12:00AM

   Sunland unveils proposal for $600 m residential and cultural precinct at Mariner’s Cove.

THE developer behind the $600 million plans to redevelop the Mariner’s Cove site has launched a charm offensive to win over city councillors.
Sunland bosses, led by executive chairman Soheil Abedian have begun meeting city leaders in a bid to secure the necessary votes to gain the project approval when it goes before the city planning committee in coming months.

The Bulletin understands some councillors hold concerns about the 44-storey twin towers which, if approved, would defy the existing three-level height limit now in place.  

Artist’s impression of proposed $600m Sunland’s residential and cultural precinct at Mariner’s Cove.


 Despite these fears, it is expected a majority of councillors will vote in support of the development, which will including a world-class private cultural precinct, 370 apartments and 69-suite boutique hotel.
Pro-development Broadbeach councillor Paul Taylor met Dr Abedian last week and was impressed by what he saw.
“I think it looks fabulous and personally I would back it all the way because it would be an icon and landmark for the city,” he said. “There is a concern about the height of the towers and how this will work out but when I spoke to Soheil, he said ‘I am 66 years old and want to create something like the Sydney Opera House or Eiffel Tower’.
“We will give it full consideration when it goes before the committee but it has my vote.”
Sunland filed a development application with the Gold Coast City Council six weeks ago after years of planning. It is one of two major developments earmarked for the area, with Chinese billionaire Tony Fung also announcing plans for a casino and integrated resort at the Sheraton Mirage.
It is understood that ASF Consortium has also eyed off land at the southern end of The Spit for its casino project.
While Mr Fung’s project would likely require a State Government “call-in”, the Sunland project will be in council’s hands. Area councillor Lex Bell met company representatives last week and said he would be guided by constituents.


Wednesday, June 10, 2015

THE ZAHA ABEDIAN SUNLAND TOWERS - GOLD COAST'S BILBAO GUGGENHEIM?

 Artist’s impression of Sunland’s proposed $600M residential and cultural precinct at Mariner’s Cove.

Ever since Bilbao successfully revitalised its identity with the work of Foster, Calatrava and Gehry, every small, insignificant city and town has dreamed of becoming great with just one outrageous, ‘iconic’ building. The Guggenheim at Bilbao by Gehry is the reference because it presents the most obvious and extreme difference that attracts. It is the gleaming highlight. Every place now seeks out its ‘Gehry’ in the hope that it too can become the centre of the world, or at least one more ‘must-see’ tourist attraction. The Gold Coast City is not immune from this dream. It keeps trying with every project that can be envisaged to grab the limelight with something eye-catchingly extreme, for this is how the ‘Bilbao’ success has been rationalised.

Campo Volantin Footbridge, Bilbao

Bilbao Guggenheim




Bilbao Metro



Proposed New Cultural Centre, Gold Coast

One attempt to achieve this outcome was with the design of a new city cultural centre by ARM – see http://voussoirs.blogspot.com.au/2013/12/gold-coast-guggenheim-gangnam-wow.html  Now private developers appear to be wanting to outdo everyone. The report was unequivocal: ‘Two sculptural residential towers and a world-class private cultural precinct to rival the Guggenheim Museum at Bilbao in Spain are about to rise above Mariner’s Cove in The Spit.’ It seems to be a certainty. While the headlines boasted that the whole of this ‘$600m towers and world-class museum’ project was designed by Zaha Hadid, the text was less certain, noting that: ‘The stunning two-tower project has been designed in collaboration with internationally acclaimed Iraqi-British architect Dame Zaha Hadid — the first woman to receive the prestigious Pritzker Architecture Prize.’ There is an odd variation here. While ‘collaboration’ waters down the authority of the headline, the superlatives are now wrapped around the Zaha name in order, it seems, to overcome this weakness, to counter it. There is nothing that gives any hint as to who might be ‘collaborating’ with Ms Hadid. Still, the ambitions are there: the 44 storey apartment/hotel project will be ‘the city’s first privately owned cultural precinct dedicated to the arts, with a gallery, museum and outdoor sculptural gardens.’ It is hard to see a commercial high-rise apartment/hotel scheme being singularly ‘dedicated’ in this way.


NOTE: All detailed images  in this piece have been taken from the published 'artist's impression.'

One is left wondering just what part of this scheme might become the new ‘Bilbao.’ Is it the different, quirky, ‘organic’ shaping of the towers that is seen as the eye-catching attraction, or is it the substance of the collection on display? The towers are perhaps more an enigmatic commercial identity, maybe a branding, rather than a singular bright light to an international moth, so might it be the contents of the gallery and museum that are to appeal, to become the drawcard? There is no indication just what these pieces might be. What collection is this? Whose is it? Has it yet to be assembled? By whom? Might it be the Louvre; the National Gallery? It is just described as a sundry set of things ‘cultural,’ ‘art’ – ‘with a gallery, museum and outdoor sculptural gardens.’ As if this catchall of art gallery and museum might not be enough, the text elaborates: The project ‘also will feature an underground aquarium and 1950sq m of ground-floor retail and dining space.’ These features are presented as if they might be add-ons to the building itself that is seen as ‘a work of art on an architectural scale’ – ‘a trophy’: ‘monumental architecture.’ Why might such a masterpiece need more? Has the Gehry building this combination of accessories? Does it need them? The pyramids stand alone as ‘monumental’ icons without any supporting interests.





The whole seems to be an exuberance of everything ad hoc – things grand, arty, historic, and aquatic - perhaps to catch the agreeable attention of Council somewhere in the approval process; surely not to confuse it? The height will apparently be a challenge. Strangely the scheme is described as 44 storeys, but the illustration seems to show only about 40 levels. Have things been ‘adjusted’ for appearances? The proposal is promoted as combining ‘leading architecture and residential spaces with unique, world class tourism and cultural amenity’ –
“Mariner’s Cove is an exceptional site worthy of monumental architecture,” he Abedian said. “This proposal has the capacity to enable the Gold Coast to further define its cultural identity, not only through defining architecture but also through the enhancement of the cultural aspects it will provide to the city.”



Exactly what do these words mean? On face value they appear to say something meaningful, but with more consideration, one is left perplexed by the motherhood haze. What is the Gold Coast’s ‘cultural identity’? What is ‘defining architecture’? Exactly what ‘cultural aspects’ will be ‘enhanced’ and how? The whole gives the appearance of ‘meaningful’ gobbledygook. It is a concern, because Council needs to know precisely what it is being asked to approve. The problem with vague and suggestive applications has already been noted – see http://springbrooklocale.blogspot.com.au/2014/11/approving-ghosts-grand-visions-and.html


What is this ‘vibrant mixed-use setting’? Is it? Will it be? How? Why is Mariner's Cove ‘an exceptional site worthy of monumental architecture,’ as Abedian says? Words are just not enough. Consider: ‘ "Each residential tower is designed as if it were an organic, living form, with sinuous lines interlacing upwards from the tapered base, creating a sense of flow and movement," he (Abedian) says.’ What is the value and relevance of this – well, this seemingly apparent ‘vibrancy’?
"This vibrancy is further brought to life by the reflection and interaction of the glass facade with its stunning Broadwater setting." Gosh, will the reflections become the problem that other projects have experienced? What might the ‘interactions’ be? Is this really something to be desired? Will each apartment/hotel room remain private or be on grand display for all to peruse, for ‘interaction’?
There is an apparent attempt to promote this project as an integrated whole. One wonders if Hadid had any say in these descriptions: ‘At the ground plane, the towers merge seamlessly with public spaces dedicated to culture and the arts via an art gallery and museum, an outdoor sculptural art precinct, and conference centre.’ Now there is a conference centre too! What happens to the cars, the ‘ground plane’ access and parking for the 370 apartments, 69 boutique suites, art gallery, museum, restaurants, shops, conference centre and aquarium?




More is then said about the museum that has only been noted as an aside previously: "The museum's sweeping organic forms reflect the landscape of its unique location, symbolic of the dunal shapes distinctive to the Broadwater.” Exactly what and where is this museum? What forms shape the art gallery? The words now seem to seek out some contextual relevance in their sand siting that has public amenity as its core ambition. The Spit is a contentious area:
"The entire ground level has been designed as a continuous public amenity, with a plaza and waterfront promenade connecting retail and dining spaces, boardwalk gardens and pedestrian links.’ So it is really a people-place complete with the newly revealed ‘boardwalk gardens and pedestrian links’ – to where; from where?


The final masterstroke is then revealed:
"The underground aquarium, organically integrated in the landscape and plaza layout, completes the master plan." What does this mean? Might the project be incomplete without the aquarium? How it is ‘integrated’ into the ‘pedestrian links,’ the ‘plaza,’ the ‘promenade,’ the ‘boardwalk gardens,’ and the remainder of the development? Dare one ask about the car park for hundreds of cars?


Given more thought, these statements are all words that really say very little that is specific about the scheme. They appear to be broad and hopeful, inspired by the illustration, the ‘artist’s impression,’ that exuberantly tells about what is shown as it cleverly conceals much with its distracting attractions. The statements appear to seek to subtly explain contentious matters: ‘Abedian says increasing the height of the project allows for a smaller development footprint to create "generous view lines and pedestrian access to the waterfront".’ The message here suggests that the whole idea of the project has been to create a place for people, with towers reducing in size to open up vistas and access, creating a reduced footprint that demands the height – all, apparently, for the ordinary person to enjoy. In short, it seems to be the declared ambition to cater for the common man, (perhaps not too common), that has pushed the project up to the extreme of 44 stories.



Then there is the further suggestion that this could have been a much larger scheme, that Sunland is offering a fair and sensitive, realistic compromise:
‘Sunland's plans for Mariner's Cove have been in development for some time. The company is understood to have originally proposed a larger-scale development that would have required the acquisition of vacant state government land adjacent to Mariner's Cove.’ Realistically, this option seems to have struck a political problem with the change in government.

Grace on Coronation

There are many mixed messages here. They appear similar to those used to promote the Grace on Coronation project – an urban village - that is another Zaha Abedian Sunland set of towers described alluringly as ‘champagne flutes’: a ‘champagne project’? – see http://voussoirs.blogspot.com.au/2014/09/ha-ha-ha-hadid-designs-for-world-class.html  One does wonder if this Gold Coast project might not be the same or a very similar design adapted in ‘collaboration’ with the Toowong scheme. Nothing is made clear to describe just what is going on. Reading the two reports – see below – one does discover the similarity in the texts suggesting that both have used media kits for sources. The big difference between the Grace and Mariner’s development is that the promo for Grace had words directly attributed to Hadid. Mariner’s does not. What has Hadid done here? Who is working with her? Is this Gold Coast ‘Bilbao’ proposal merely an adaptation of another scheme that might not go ahead as planned? Indeed, the proposition might be: why waste an idea?


The hopes for another ‘Bilbao’ success story linger, but can they be achieved here? Does Bilbao do more than push for a major commercial apartment block and a twinned smart hotel - should they match? - with a supporting base of a few incidental cultural features, whatever these might be? Bilbao seems to have a more holistic vision, richer and with a greater civic commitment. It did get a Gehry gallery, but it also revitalised the city with a marvellous bridge and a Metro that infiltrate and connect place with excitement, vigour and a new vision - a new, vital optimism. The difference appears to be in things urban, in their communal intent and experience.



We will have to wait to see if commercial towers on top of a gallery-museum-aquarium-conference centre plaza can dramatically and significantly change place in the way Bilbao has been transformed. We must be careful of words and analogies that appear useful as preliminary promotional tools. We need to seek out the reality of the whole before it is eulogized. Dreams can very easily turn into nightmares.



 THE REPORTS

BUSINESS
$600m towers and world-class museum designed by Zaha Hadid feature in plan for The Spit
JENNY ROGERS
GOLD COAST BULLETIN
JUNE 06, 2015 12:00 AM

    Sunland unveils proposal for $600M residential and cultural precinct at Mariner’s Cove.

TWO sculptural residential towers and a world-class private cultural precinct to rival the Guggenheim Museum at Bilbao in Spain are about to rise above Mariner’s Cove in The Spit. The developer behind the Q1 supertower and Palazzo Versace Hotel has unveiled its long-awaited plans for the $600 million landmark.
Sunland Group has lodged a development application with Gold Coast City Council for the redevelopment of Mariner’s Cove.

 
     Sunland unveils proposal for $600M residential and cultural precinct at Mariner’s Cove designed by  world-famous architect
      Zaha Hadid.

The stunning two-tower project has been designed in collaboration with internationally acclaimed Iraqi-British architect Dame Zaha Hadid — the first woman to receive the prestigious Pritzker Architecture Prize.
Sunland’s proposal comprises two sculptural residential towers of 44 storeys — one featuring 370 apartments and the other a 69-suite boutique hotel. The groundbreaking project will include the city’s first privately owned cultural precinct dedicated to the arts, with a gallery, museum and outdoor sculptural gardens.
It also will feature an underground aquarium and 1950sq m of ground-floor retail and dining space.

    Dame Zaha Hadid has designed the proposed Sunland towers and cultural space.

Sunland Group purchased the trophy site adjacent to Marina Mirage on Sea World Drive overlooking the Broadwater in 2013 for $13 million.
Mariner’s Cove is Sunland’s second collaboration with Zaha Hadid, the architect behind the group’s proposed three-tower $420 million residential Grace on Coronation project. It features a quilted diamond facade, planned for the old ABC site on the Brisbane riverfront in Toowong.
Sunland executive chairman Dr Soheil Abedian, who has long advocated for the city’s cultural enhancement, said the proposal combined leading architecture and residential spaces with unique, world class tourism and cultural amenity.

       Artist’s impression of Sunland’s proposed $600M residential and cultural precinct at Mariner’s Cove.

“Mariner’s Cove is an exceptional site worthy of monumental architecture,” he Abedian said. “This proposal has the capacity to enable the Gold Coast to further define its cultural identity, not only through defining architecture but also through the enhancement of the cultural aspects it will provide to the city.”
Sunland managing director Sabha Abedian said the design was a work of art on an architectural scale.
“This development will be one of the greatest architectural undertakings in Sunland’s history and a landmark destination,” he said.


SUNLAND FINALLY UNVEILS $600M MARINER'S COVE VISION
Written on the 5 June 2015 by Nick Nicholas

 

SUNLAND Group has taken a giant leap back into the Gold Coast high rise market with plans for a $600 million redevelopment of Mariner's Cove.
The proposal, which features two sculptured towers of 44 storey each, is likely to spark spirited debate over high rise development on The Spit.
However, Sunland executive chairman Soheil Abedian has described the project as a world-class landmark development that will deliver a new cultural precinct for the city in a vibrant mixed-use setting.
"Mariner's Cove is an exceptional site worthy of monumental architecture," Abedian says.
"This proposal has the capacity to enable the Gold Coast to further define its cultural identity, not only through defining architecture, but also through the enhancement of the cultural aspects it will provide to the city."
Sunland has lodged a development application with the city council in a bid to transform the ageing Mariner's Cove site into a precinct that combines luxury living with the arts through a dedicated art gallery, museum and outdoor sculptural gardens.
It will be the Gold Coast's first privately-owned cultural precinct and will also feature an underground aquarium, as well as 1950sqm of ground-floor retail and dining space.
The twin-tower design, created in collaboration with Pritzker Prize winning architect Dame Zaha Hadid, will comprise 370 apartments and a boutique hotel of 69 suites. The design has a similar theme to Sunland's proposed three-tower redevelopment of the ABC studios along Brisbane's riverside in Toowong. That also was designed by Hadid.
Abedian describes the company's latest Gold Coast vision as "a work of art on an architectural scale" and "one of the greatest architectural undertakings in Sunland's 32-year history." He says it will be a "landmark destination of international significance and acclaim".
"Each residential tower is designed as if it were an organic, living form, with sinuous lines interlacing upwards from the tapered base, creating a sense of flow and movement," he says.
"This vibrancy is further brought to life by the reflection and interaction of the glass facade with its stunning Broadwater setting."At the ground plane, the towers merge seamlessly with public spaces dedicated to culture and the arts via an art gallery and museum, an outdoor sculptural art precinct, and conference centre.
"The museum's sweeping organic forms reflect the landscape of its unique location, symbolic of the dunal shapes distinctive to the Broadwater.
"The entire ground level has been designed as a continuous public amenity, with a plaza and waterfront promenade connecting retail and dining spaces, boardwalk gardens and pedestrian links.
"The underground aquarium, organically integrated in the landscape and plaza layout, completes the master plan."
Abedian says increasing the height of the project allows for a smaller development footprint to create "generous view lines and pedestrian access to the waterfront".
Sunland's plans for Mariner's Cove have been in development for some time. The company is understood to have originally proposed a larger-scale development that would have required the acquisition of vacant state government land adjacent to Mariner's Cove.
The company acquired Mariner's Cove from receivers for $13 million in 2011 and has indicated for a long time its intention to create a landmark development on the site.
The Mariner's Cove project is part of a $1.5 billion-plus development surge for the company on the Gold Coast. This week, Sunland announced the settlement of a $61 million deal to acquire the 41.9ha Lakeview site at Mermaid Waters, where it plans to build 1425 dwellings, including residential housing, townhouses and medium-rise buildings.
The Gold Coast still accounts for a significant portion of the now Brisbane-based Sunland's $4.3 billion national development portfolio.